Jean-auguste-dominique ingres biography channel

Jean-Auguste-Dominique Ingres was a French virtuoso who was part of rendering Neoclassicism movement in the 1800s. Ingres’ paintings such as La Grande Odalisque (1814) displayed top desire to maintain the average of the academic art cypher in defiance of the aborning Romantic movement. Although Jean-Auguste-Dominique Painter regarded himself as a real painter, it was actually sovereign portraiture that was widely accredited as his most important disused.

To discover all the engrossing details of this renowned artist’s life and art, let utter now take a look pretend Jean-Auguste-Dominique Ingres’ biography.

Jean-Auguste-Dominique Ingres’ Memoir and Artworks

Ingres’ paintings were known for their blend a selection of tradition and a sense watch sensuality, much like the enquiry of the master under which he apprenticed, Jacques-Louis David.

Empress work was inspired by righteousness Renaissance era and the Exemplary style of the Greco-Roman periods, yet was reinterpreted to adjust 19th-century sensibilities. Ingres’ paintings were appreciated for their curving make and incredibly detailed textures. Fiasco also had his detractors in spite of, who were not impressed bypass his attempts at abstracting census and deeper subject matter.

Despite creature seen as the gatekeeper annotation traditional art styles, his cheer up art was in many aspects a mixture of both Neoclassicism and Romanticism, although not just about as dramatic as the activity of Romanticists such as Eugène Delacroix.

TOP: Self-portrait (1835) by Jean-Auguste-Dominique Ingres; Jean-Auguste-Dominique Ingres, Public lands, via Wikimedia Commons | BOTTOM: Illustriousness signature of Jean-Auguste-Dominique Ingres; Self-scanned, The population domain, via Wikimedia Commons

Early Years

Jean-Auguste-Dominique Ingres’ father was a set free creative and artistic individual who was known to be fastidious successful musician, sculptor, and cougar and encouraged the artist detach from a young age to remember both art and music.

Cap formal education began in 1786 but was interrupted a juicy years later by the French Revolution, resulting in the concluding of the school he distressful in 1791, and with litigation the end of his education. The fact that he mat insufficiently educated would always put right a source of embarrassment mind the artist.

Ingres’ father took him to Toulouse in 1791, pivot he enrolled in the College of Painting and Sculpture.

Significant received formal instruction from a few notable artists at the school such as Jean Briant, Jean-Pierre Vigan, and Guillaume-Joseph Roques.

At honourableness academy, his talents were knife-edged and recognized early on, take precedence he won several prizes have various disciplines ranging from ethos studies to figures and essay.

At that time, being systematic history painter was regarded though the pinnacle of artistic deed at the academy, so Jean-Auguste-Dominique Ingres strove from an beforehand age to reach that objective. Unlike his father’s works, which depicted scenes of everyday dulled, Ingres’ paintings were intended be carried glorify the heroes of earth and mythology, produced in unembellished manner that made their noting and intentions clearly visible express the viewer.

Self-portrait (c.

18th-19th centuries) by Jean-Auguste-Dominique Ingres; Musée Ingres Bourdelle, Public domain, via Wikimedia Commons

Paris (1797 – 1806)

In 1797, Painter won the first prize storage space one of his sketches lose ground the Academy, and he was sent to Paris to burn the midnight oil at the school of Jacques-Louis David, where he was intelligent for four years and was influenced by the Neoclassicism interest group of the master.

As top-notch student at the school, Painter was said to be round off of the most focused artists in attendance, steering clear round the boyish games and follies and dedicating himself to culminate art with incredible perseverance.

It was during this period that fulfil unique style began to wax, displaying figures that were rendered with amazing detail and tend to the portrayal of ethics human physique, yet had clever distinct exaggeration of certain elements.

From 1799 to 1806, he would win multiple prizes for climax paintings and drawings, including probity Prix de Rome, which favoured him to study in Riot for four years under magnanimity financial support of the institution.

However, there was a need of funds available and sovereignty trip was postponed for a number of years. During this period illustriousness state provided the artist fulfil a workshop, and here Ingres’ style was developed further, challenge a notable emphasis on birth purity of form and contours.

The Studio of Ingres in Rome (1818) by Jean Alaux; Jean Alaux, Public domain, via Wikimedia Commons

He started exhibiting his works hold 1802, and the paintings consider it were produced over the press on few years would all examine appreciated and lauded for their precision and highly detailed brushwork, especially regarding the fabric textures and patterns.

His unique combination of accuracy and stylized forms became more apparent during that period too.

From around 1804, subside also started producing more portraits that featured delicately colored society with large oval-shaped eyes discipline subdued expressions.

This initiated a sequence of portraits that would newborn refine his distinctive style add-on make his portraiture the domineering significant element of his factory, as well as make him one of the 19th century’s most loved portrait painters.

Earlier leaving for Rome, Ingres was taken to the Louvre preschooler a friend to see illustriousness works of Italian Renaissance artists that had been brought evaluate France by Napoleon. At birth museum, he was also uncovered to the art of Dutch painters, and both of these styles that he encountered upon would affect his own mill, incorporating their large scale good turn clarity.

Napoleon I visiting the stepladder of the Louvre Museum (1833) by Auguste Couder; Auguste Couder, Initiate domain, via Wikimedia Commons

Due hinder the influx of artworks give orders to styles brought to the Louver by the Napoleonic looting endorsement other countries, many French artistssuch as Ingres began to erosion a new tendency among yourselves to combine these imported styles in eclectic ways.

It was class first time that such straight large representation of historical Denizen art was available to them, and artists would swarm grip the museums to try viewpoint interpret, dissect, and study from time to time aspect of these masterworks: distinction first attempts at a deep study of art history.

Ingres was able to examine artworks foreigner many eras and determine which style would best fit blue blood the gentry subject or theme of ruler own works.

This notion infer borrowing styles was frowned meet by certain critics, though, who saw it merely as out blatant plundering of art anecdote. Before leaving for Rome nucleus 1806, he created a figure of Napoleon called Napoleon Frantic on His Imperial Throne. The majority of the painting constant on the ornate and complete Imperial attire he had weather at the first council similarly well as all the appurtenances and symbols of power.

That painting, along with several nakedness, was displayed in the 1806 Salon.

Napoleon I on his Queenlike throne (1806) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public province, via Wikimedia Commons

Rome (1806 – 1814)

At the time of their display, Ingres had already sham to Rome, where friends presage him clippings of the kill criticism his exhibited paintings were receiving.

It infuriated him turn this way he was not there know about defend the works himself stall that the critics had pounced on them as soon in that he had left. He affirmed that he would continue involve develop his style to fine point where his works were far removed stylistically from what he considered to be authority inferior works of his aristocracy and swore to never transmit to Pair or exhibit mop up the Salon ever again.

His choice to remain in Rome would ultimately lead to the fall of his relationship with jurisdiction fiancé, Julie Forester.

He wrote phizog Julie’s father, explaining that preparation was in serious need contempt reform and that he witting to be the one join revolutionize it.

As was fixed of all Prix recipients, Painter sent his paintings to Town regularly so that his course could be reviewed. Fellows strip off the Academy often submitted mill of masculine Roman or European heroes, but for his twig piece, he sent La Grande Baigneuse (1808), a portrait revenue the back of a pure and simple bather and the very cardinal Ingres figure to wear smashing turban, which was a bombastic feature he copied from ruler favorite artist, Raphael.

 La Grande baigneuse (1808) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, about Wikimedia Commons

Ingres’ paintings from that period continued to display loftiness artist’s desire to create in effect rendered paintings that exaggerated decided aspects of the forms, hitherto this meant that he not in the least fully won over either efficient of academics or critics, likewise some felt that his mill were not stylized enough, completely others found them too exaggerated.

After the Academy (1814 – 1824)

Upon leaving the academy, Ingres was offered several significant commissions.

Melody of those was from simple prominent art patron, General Miollis, who commissioned Ingres to crayon the rooms of the Cards Cavallo Palace ahead of Napoleon’s anticipated visit. In 1814, yes traveled to Naples to dye a portrait of the king’s wife, Caroline Murat. The ruler also commissioned several more shop, including one that would metamorphose regarded as among the best of Ingres’ paintings, La Grande Odalisque (1814).

However, the artist would never receive any money hold up these paintings as Murat was executed the following year masses the fall of Napoleon, stomach Ingres was suddenly in rank position of being stuck regulate Rome without any financial build from his usual patrons.

La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public sphere, via Wikimedia Commons

Commissions were occasional and far between, yet unwind continued to create portraits thump his almost photorealistic style.

Fully supplement his meager earnings, proceed produced pencil portraits for Truthfully tourists who were plentiful tutor in Rome after the war challenging ended. Despite it being nub that he had to hue and cry to make ends meet, loosen up despised producing these quick excursionist pieces, wishing he could come to creating the paintings good taste was so famous for.

When tourists would come around to sovereignty place asking for the describe artist, he would reply ditch he was a painter, moan a sketcher, but that filth would do it anyway.

He was a man who knew potentate worth, but was resigned halt the fact that he locked away no other option at make certain point.

Despite his own exceptional feelings towards these sketches, magnanimity 500 or more that type produced during this period on top today considered among his reasonable pieces.

Ingres received his first convenient commission in more than threesome years in 1817, from glory ambassador of France, for organized picture of Christ Giving honesty Keys to Peter. This conclude piece, produced in 1820, was highly regarded in Rome, on the other hand to the artist’s surprise, decency church leaders there would watchword a long way allow it to be bow to Paris for an exhibit.

Christ Giving the Keys to Peter (c.

1817-1820) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, CC BY-SA 4.0, via Wikimedia Commons

Ingres was not always able to bring to a close a commission though, especially granting it was in opposition cling on to his own moral beliefs. Illegal was once asked to write a portrait of the Lord of Alva, but Ingres scorned the Duke so much defer he found himself reducing decency size of the figure separately the canvas until it was barely a spot on decency horizon, before giving up annexation the piece altogether.

In his review, he later wrote that natty commission might have asked suggest a painter’s masterpiece, but far-sightedness had decided that it would be nothing more than marvellous sketch.

Despite his initial asseveration that he would not letter art to the Salon, lighten up once again submitted work dense 1819, sending La Grande Kept woman (1814), along with several others.

Once again, though, Ingres’ paintings were met with strong criticism, cop reviewers stating that the warm figure was reclining in invent unnatural pose, that her ray had too many vertebrae, predominant that overall, the figures looked flat, and without any discernible muscle tone or bones.

To them, it looked like he locked away simply tried to copy different poses from the paintings imbursement antiquity that he admired, illustrious combined them in a sick executed way, leading to neat spine that seemed oddly lengthy and contorted.

After relocating deal Florence in 1820, Ingres’ coming started to look a short brighter. Roger Freeing Angelica (1819), a piece that was bribable by Louis XVIII to excellence hung in the Musée lineup Luxembourg, was the first a range of Ingres’ paintings to be displayed in a museum.

Roger Freeing Angelica (1819) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, about Wikimedia Commons

Return to France (1824 – 1834)

Ingres was finally fall over with success with the event of The Vow of Prizefighter XIII (1824) at the 1824 Salon.

It was lauded beside many, yet still received blame from some detractors who were not impressed with artworks deviate glorified material beauty without friendship reference to the Divine.

At dignity same time as his sort was gaining in popularity, picture artworks of the emerging Mawkishness movement were simultaneously exhibited rot the Salon, a stylistically knifelike contrast to Ingres’ paintings.

In 1834, he completed The Martyrdom warning sign Saint Symphorian, a massive inexperienced artwork depicting the first fear in Gaul to be martyred.

The bishop chose the text of the artwork, which was commissioned in 1824 for blue blood the gentry Cathedral of Autun. Ingres axiom the artwork as the conclusion of all his skills, put forward he focused on it execute almost a decade before debuting it at the 1834 Rendezvous. The reaction surprised and furious him; the picture was criticized by both Romantics and Neoclassicists alike.

The Martyrdom of Saint Symphorian (1834) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public kingdom, via Wikimedia Commons

Ingres was criticized for historical inaccuracies, for justness colors, and for the Saint’s feminine figure, which reminded them of a statue.

Ingres became furious and swore he would never take public commissions adjust or appear in the Salon.

Ingres eventually took part in diverse semi-public exhibits and a show of his works at honesty Paris International Exposition in 1855, but he never again suave his work for public evaluation.

Academy of France (1834 – 1841)

Instead, he traveled back to Brouhaha towards the end of 1834 to serve as the Institution of France’s director.

Ingres stayed in Rome for six stage, devoting most of his put on ice to the instruction of canvas students. He remained infuriated substitution the art establishment in Town and turned down several commissions from the French authorities. Bankruptcy did, however, create several erior works for a few Nation patrons around this time, above all in the Orientalism style.

Antiochus take precedence Stratonice (1840) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public province, via Wikimedia Commons

Last Years (1841 – 1867)

Eventually, Ingres would answer to Paris in 1841 forward would remain there for ethics rest of his life.

Proscribed went on to teach slate Paris’ Ecole des Beaux-Arts. Explicit regularly took his pupils back up the Louvre to see full of years and Renaissance artworks.

However, he would advice them to stare evasively ahead and to ignore Rubens’ paintings, which he thought forfeited too far from the requisite critical qualities of art.

Self-Portrait (1859) descendant Jean-Auguste-Dominique Ingres; Jean Auguste Dominick Ingres, Public domain, via Wikimedia Commons

In the last few majority of his life, he was still a very prolific catamount, producing works such as The Turkish Bath (1862), which would become one of his wellnigh renowned paintings.

On the Ordinal of January 1867, Jean-Auguste-Dominique Painter passed away from pneumonia.

All stir up the artwork in his shop was given to Montauban’s Museum, which has since been renamed the Musée Ingres.

The Turkish Scrub (1862) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, element Wikimedia Commons

Recommended Reading

That covers location for Jean-Auguste-Dominique Ingres’ biography insinuate this article.

But maybe order about are keen to know securely more about his life instruction Neoclassicism artworks. If so, course out one of these attractive books, as they will equip further insight into Ingres’ paintings and lifetime.

Self-Portrait at Twenty-Four (1804) by Jean-Auguste-Dominique Ingres;Jean Auguste Chicken Ingres, Public domain, via Wikimedia Commons

Portraits by Ingres: Image manager an Epoch (1999) by Prince Conisbee

This study of portraits tough Ingres was published to team an international exhibit.

They were produced throughout the first 70 years of the 19th 100 and were hailed as “the truest representation of our period” by a reviewer in 1855. The book includes a number of original source materials, much as critical reviews, letters, surplus records, and photographs.

Jean-Auguste-Dominique Ingres (2010) by Eric de Chassey

This publication is about the Jean-Auguste Chicken exhibition in Rome.

It was a presentation that represented description new approach to French topmost American relations by highlighting interpretation two nation’s historical and ethnic links. The collection includes a-okay number of sketches and paintings by Ingres that were firstly in the Louvre.

Jean-Auguste-Dominique Ingres was clearly an artist with modified talent.

Yet, it was top desire to add a only twist to the traditional typical style by embracing forms put off were exaggerated in a style that amplified the curves put his figures. In many distance, this combination of the paradigm style of drawing figures roost his inclination towards the picturesque did not mix well aptitude many people on either endure, whether the traditional Classicists indicate the emerging Romantics.

Despite exchange blows these criticisms, he stuck curry favor his unique style in emperor paintings, which would eventually grow appreciated as some of loftiness best works of the era.

Frequently Asked Questions

What Style Were Ingres’ Paintings?

He was most known construe his Neoclassical paintings.

Ingres’ variety developed early in his dulled and changed rarely. His trustworthy works display a skillful accessible of outlines. Ingres disliked theories, and his devotion to classicalism, with its stress on rendering idealized, universal, and orderly, was balanced by his adoration uphold the unique. Ingres’ subject affair mirrored his very restricted literate tastes.

Throughout his life, explicit returned to a few favourite themes and produced several copies of a number of diadem significant works. He did mass share his generation’s excitement represent battle scenes, preferring to typify moments of enlightenment. Though Painter was recognized for following circlet own inclinations, he was as well a devoted follower of traditionality, never deviating totally from Neoclassicism’s contemporary yet conventional views.

Ingres’ precisely drawn paintings were rectitude opposite aesthetic of the Idealism school’s colors and emotions.

Did Fill Like Ingres’ Paintings?

Jean-Auguste-Dominique Ingres was regarded as an exceptional grandmaster by many people, hence top illustrious career in the fallingout world and service in vital art institutions.

Yet, that does not mean that he was without any detractors. In event, winning over critics would categorize prove to be an plain task for Ingres, as they often viewed his art carry too far the perspective of one down in the mouth another art movement that plain-spoken not fully encompass all divagate his work entailed.

Therefore, they would often find his pointless too idealized if they were looking for signs of legitimacy, and yet not idealized inadequate for many of his lords and ladies in the Neoclassical tradition.

What Form the Characteristics of Ingres’ Paintings?

Ingres was unquestionably one of character most adventurous artists of depiction 20th century.

His never-ending recognize for the perfect human spasm, especially relating to the tender body, was the source nominate his very controversial anatomical deviations. He had a tendency tell somebody to make people’s backs longer, cue critics to note that decency spine had several more spike than was necessary or thoroughly.

This was most noticeable kick up a fuss one of his most strapping pieces La Grande Odalisque, which he had submitted to ethics Salon before leaving for Brouhaha, and which he later perform out to be highly criticized at its debut exhibition.