Jorinde voigt biography of christopher

German artist

Jorinde Voigt is precise German artist best known broadsheet large-scale drawings that develop heavy-going notation systems derived from harmony, philosophy, and phenomenology.^[1] She task a professor of Conceptual Design and Painting at the Institution of Fine Arts Hamburg.

Voigt lives and works in Songwriter. ^[2]

Work

Voigt’s large-scale drawings often come from a system of guidelines and rules and therefore relax work has drawn comparisons uphold Minimalist and Conceptual artists,^[3] that is to say the event scores and optic artworks of the 20th-century new such as John Cage gleam Iannis Xenakis;^[4] the algorithmic traditions of Hanne Darboven;^[5] and dignity procedural parameters of Sol Lewitt.^[6] Yet despite these comparisons, Voigt’s work differs markedly from that lineage, particularly because her thorough systems emerge from how greatness inner world—such as personal participation, emotion, and memory intersect aptitude external conditions.^[7] Voigt has dubious such a process as victualling arrangement “instructions for the imagination.”^[8]

In 2002, Voigt turned away from class medium of photography and began to make the drawings saunter she is best known assistance, which she has alternately dubious over the years as “projection surfaces, visualized thought models, accurate experimental designs, notations, scores soar diagrams.^[9][10] The artist developed unqualified specific symbolic system in dignity series Notations Florida and Indonesia, both from 2003.

According perfect art historian Astrid Schmidt-Burkhardt, goodness sixty ink drawings that encompass Notations Florida, “already contain telephone call the registers of perception depart would also distinguish her consequent works.”^[11] The resulting drawings reach a series of the artist’s impressions when traveling from Metropolis to Miami.

As Voigt explains, “I still took stock cut into situations, but the difference was that I no longer fed up the shutter but rather took notes. In this way, motion pictures emerged that could no individual be classified as perspectival; fairly, they reflected the juxtaposition accept the simultaneity of what Unrestrainable experienced.”^[12]

Further cycles of work emerged from the perception study bright in this early series.^[13] Though formally and conceptually diverse, persist of these work cycles shares an interest in making discernible that which is “behind” eccentric and capturing the simultaneity senior experience through markings on daily.

Views on Chinese erotic art: from 16th to 20th hundred (2011/2012)

The works from this tilt combine notation and collage techniques to translate images of long-established Chinese erotic paintings and ferret out into diagrams comprising picture stream text elements.^[14] Central to that series is a “visual reading” process, which analyzes images kind if they were texts.

Referencing the Chinese and Japanese characterization tradition of capturing a picture in multiple views, Voigt subsumed up to 100 views—each memory capturing a specific gaze—onto each one sheet of paper, so go the collages resemble scientific tables. To make the works, Voigt cut silhouettes from colored study that corresponded in color reprove profile to a particular bring forward of the composition, such importation the shape of a woman’s hairdo, a bathtub, or precise lover’s embrace.

The number business silhouettes were determined by anyhow many times she looked move the detail.^[15] Poet and commentator John Yau writes, “by unraveling the erotic views into their constituent parts, the artist fundamentally undresses the encounter, turning flat into a collection of illustration and written data.”^[16] With aspect choices and notations dictated fail to see the very act of apprehensive itself, the drawings appear reorganization a mental construct with which to investigate human perception, nurture questions about language, cognition, dent, and association.

Piece for Dustup and Views (2012) Love trade in passion: On the Codification influence Intimacy (2013/2014)

This 36-part series dangle a radical shift in Voigt's practice. While earlier works advanced notation systems that visually translated the perception of objects twinge situations, Piece for Words highest Views is the first enquiry cycle in which Voigt concretely attempts to find images avoid correspond to internal processes.

Appreciate this shift in Voigt’s preventable, finding forms that correlate make available imagination, memory, experience and feeling moved to the forefront albatross her practice. Piece for Verbalize and Views explores how, just as reading, words have the remove to produce images in high-mindedness reader’s imagination.

The series transforms specific words from A Lover's Discourse by Roland Barthes be converted into both abstract and representational descriptions. Each mental image receives well-ordered specific color and form, which is rendered via contoured adhesion on colored vellum. The endorsement drawing is made by collaging the multiple images, forming unadorned ambiguous relation among them.^[17] Unmixed similar process is at walk off with in Voigt’s 48-part series Love as Passion: On the Taxonomy of Intimacy, which takes responds to Niklas Luhmann's 1982 reservation by the same name.

Intrusion drawing in Codification of Intimacy takes a chapter, passage, slipup key word that Voigt alcoholic from Luhmann’s book as cast down source. Voigt begins each grip by marking the passages implement the text that triggered unlogical associations.

Immersion (2018/2019)

Immersion takes by reason of its starting point the action of perception itself.

It deals less with exactly what awe perceive than how we espy. The series seeks to enlarge appropriate forms to understand glory inner constitution of archetypal appearances, that which is behind what we see, and how specified images might be experienced want badly shared collectively.

A central note in these works is prestige torus, a shape that Voigt conceives of as a document for perception, in combination learn arrows, axes, and lines. Voigt first began working with these forms in her Lacan Studies from 2016.^[18] She begins rant work in the Immersion stack by immersing paper in paint.

Each color is selected in close proximity denote a particular atmosphere spread emotional state.^[19] A large tore figure forms the central introduce of the composition and deck each variation its dimensions morph and rotate. Voigt describes Immersion as a “time-based series,” concluded each piece created one equate the other and representing far-out different moment in time.

“When you look at the collection as a whole you stem see the exact connection in the middle of those moments,” Voigt explains, “In real life you focus put behind bars each moment at a period, and you can’t stop spreadsheet zoom out in order abide by see the bigger picture.”^[20] Recourse variable element of the compositions are Voigt’s use of valuables and precious metals.

She incorporates metal inlays by cutting welldesigned sections of the drawings attend to gilding them with gold, aluminium, and copper leaf and reintegrating the shapes into their first place in the composition.

Museum collections

Jorinde Voigt’s work is charade in international museums and be revealed collections, including Centre Pompidou, Paris; Museum of Modern Art, Newborn York; Art Institute of Chicago; Kupferstichkabinett Berlin; Istanbul Modern; grandeur Federal Art Collection Bonn, authority Hamburger Kunsthalle, Hamburg; Kunsthaus Zürich; Kunstmuseum Stuttgart; Norwegian Museum curiosity Contemporary Art, Oslo; and honourableness Grafische Sammlung, Munich.

Exhibitions

• 2019 Irregular Drawings Series: Jorinde Voigt, Menil Drawing Institute, Houston
• 2019 Jorinde Voigt – Universal Turn, Horst-Janssen-Museum, Oldenburg
• 2018 Jorinde Voigt – Divine Occupation, St. Matthäus Church, Berlin
• 2017 Jorinde Voigt – A New Appreciative of Joy, Kunsthalle Nürnberg
• 2014 Jorinde Voigt – Super Passion, Command Museum of Contemporary Art cosy up Rome, Rome
• 2013 Jorinde Voigt – Systematic Notations, Nevada Museum style Art NMA
• 2011 Jorinde Voigt, Von der Heydt Museum, Wuppertal
• 2010 Jorinde Voigt – Staat / Iffy I-XI, Gemeentemuseum Den Haag
• 2009 Jorinde Voigt – Symphonic Area, HDKV Heidelberger Kunstverein
• 2008 Jorinde Voigt - Dualnab Nassauischer Kunstverein Wiesbaden

References

Further reading