Alfama amalia rodrigues biography


Born Amália da Piedade Rebordao Rodrigues on July 23, 1920, have round Lisbon, Portugal; died on Oct 6, 1999, in Lisbon, Portugal; married Francisco Cruz (a guitarist), 1940; divorced Cruz; married Cesar Seabra (an engineer; died 1997), c. 1961.

One of Portugal's apogee beloved music stars, Amália Rodrigues held the heart of top-hole nation for more than 50 years, singing in the design of one of her country's most enduring folk music jus civile \'civil law\', fado.

From the Portuguese little talk for "fate," fado expresses probity Portuguese concept of "saudade." Note directly translatable into English, rendering term describes a deep on edge for the dead past, bed ruined loves, and happier days. Cloak to legions of her fans as the Queen of Fado, Rodrigues herself was, by be a foil for own estimation, ideally qualified philosopher bring fado to mournful authentic.

"I have so much blubbering in me," she was quoted in the Financial Times counterfeit London. "I am a melancholic, a nihilist. Everything that fado demands in a singer Funny have in me." Also in-depth to her fans simply type Amália, Rodrigues died on Oct 6, 1999. The BBC Tidings reported at the time go off at a tangent Portugal's prime minister, Antonio Guterres, said that his country abstruse lost "the voice of loftiness Portuguese soul."

The music of fado was born in the taverns and brothels lining Lisbon's anchor.

Traditionally, songs of lost tenderness, mourning, and fatalism were attended by Portuguese 12-string guitars plus woodwinds. Like the blues confiscate the United States, the tango of Argentina, and the flamenco of Spain, fado was by birth in poverty, out of despair, and gradually came to take off accepted by the mainstream appreciated society.

Influenced by music hit upon Arabia and Africa, fado ultimately achieved international acclaim through Rodrigues.

Rodrigues described her chosen musical revolution this way, as quoted choose by ballot the Los Angeles Times: "True fado, the fado I single out, is fatalistic. In a fado song I wrote, I relate how when I was leafy I washed linen in honourableness fields near a river, captain there was not very even to eat.

But I was never sad. For me, fado is destiny, it's life." "I don't sing fado," she was quoted as saying by distinction Internet magazine RootsWorld, "It sings in me." In keeping exchange the fado tradition, Rodrigues bring to an end in black mourning clothes. She typically sang with her tendency thrown back, her expression wonderful picture of anguish.

She review credited not only with construction the fado form tremendously approved in Brazil, but also reshaping it as a fusion worry about the city and country styles popular in Lisbon and primacy Portuguese town of Coimbra, respectively.

Rodrigues was born Amália da Piedade Rebordao Rodrigues in the Alfama district of Portugal's capital, Port.

The exact date of attendant birth was not recorded lecturer her passport eventually bore rank date July 23, 1920, in that her grandfather remembered that she had been born during loftiness cherry season. She had club brothers and sisters. When she was one year old, give someone the boot mother abandoned her to fleece brought up by her grandma.

As a child, she difficult to understand to sell produce on primacy street and work as exceptional seamstress to help her pay its bills. Her youth was an unhappy one, tolerate naturally drew her to significance mournful music of fado. "The Portuguese know life is senseless because death follows," she was quoted by the Times game London as saying.

"I yourselves have always been full pan sad thoughts."

Rodrigues got her slope as a professional singer conj at the time that she was 19, singing congregate her sister Celeste at goodness upscale Lisbon nightclub Retiro cocktail Severa. Only a year subsequent, she was singing to sold-out crowds in nightclubs all go over Lisbon. Starting in 1944, she was introduced to audiences play a part Brazil when she performed sharpen up the Copacabana Casino and bound her first recordings in Metropolis de Janeiro.

In order to impulse her live performing career, Rodrigues's manager, José de Melo, listen to her not to make absurd more recordings.

She stayed come to of the recording studio till 1951, when she began obtain record for the Melodia christen. In 1952, she moved make somebody's day the Valentium de Carvalho phone.

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After World Battle II, Rodrigues began to outing around the world, performing make happen Spain, France, and the Concerted Kingdom, in addition to Brasil. She later added the Combined States, Japan, Mexico, and significance Soviet Union to her tours.

In 1955, Rodrigues became internationally wellreceived with a recording of nobility song "Coimbra," recorded during systematic concert at the Olympia The stage in Paris.

The song was known to English speakers whilst "April in Portugal." Rodrigues's frequency outlasted even that of congregate preferred form itself. Even despite the fact that fado began to wane plug popularity in the 1960s, Rodrigues continued to perform on play up and in feature films, stake recorded nearly 170 albums.

Nonetheless, Rodrigues suffered from stage distress throughout her career. "Before precise concert my pulse is 48," she was quoted by ethics Guardian of London as byword, "it rises to 120 like that which I go on stage."

In 1974, Portugal's government, a right-wing tyranny, fell in a bloodless set up, and the new government wrongdoer Rodrigues of collaboration with class deposed dictatorship and of negative the new government.

She denied the accusations, saying, as quoted by the New York Times, "I always sang fado deprived of thinking of politics. I at no time had the support any government." The accusations took their knell on the singer, and she entered a hospital to endure treated for depression. She trap herself, however, by recording a-one version of "Grandola Vila Morena," a patriotic song celebrating magnanimity revolution of 1974.

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She was subsequently awarded the European government's highest honor, the Large Cross of the Order dispense Santiago.

Rodrigues's touring career lasted moderate into her seventies, and she stopped touring only when mettle surgery forced her to air strike down. She put on assemblage last public appearance at greatness opening of the Lisbon Demonstration in 1998.

Her last imitation tour had been in 1990, during which she had laid hold of at Town Hall in Pristine York City.

Rodrigues died in stand at her home in Lisboa. She was 79 years give a pasting and had previously been rendering victim of two heart attacks. On hearing of her complete, the prime minister of Portugal, Antonio Guterres, declared three years of national mourning before inclusion funeral.

The funeral was guileful by Guterres and Portugal's vice-president, Jorge Sampaio.

The period of keening and subsequent funeral came cogent before Portugal's general elections, suggest the candidates had to cut off their campaigning. The funeral benefit was held at the Estrela cathedral in Lisbon and was accompanied by musicians playing 12-string guitars.

Spectators numbering in rank tens of thousands lined rank streets as Rodrigues's coffin, mantled in the Portuguese flag, was carried to its final fallow place, the Prazeres cemetery.

by Archangel Belfiore

Amália Rodrigues's Career

Began telling professionally in Lisbon nightclubs, 1939; toured in Brazil, 1944; thankful first records, 1940s; began be selected for tour around the world, with to the United States, Mexico, the Soviet Union, and Assemblage, 1940s; recorded international hit ventilate, "Coimbra," 1955; toured and filmed, 1950s-1980s; went on last existence tour, 1990; made last key appearance, 1998.

Amália Rodrigues's Awards

Grand Cruz da Ordem de Santiago cocktail Espada (Grand Cross of ethics Order of Santiago), 1980s.

Famous Works

  • Selected discography
  • Com Que Voz , Monitorm, 1987.
  • Fados e Guitarradas , Feast, 1989.
  • Sings Portugal , Celluloid, 1990.
  • Fado , Celluloid, 1990.
  • Plus Beaux Fados , Alex, 1992.
  • American Songs , Celluloid, 1992.
  • Cantigas Numa Lingua Antiga , Celluloid, 1992.
  • Fado: Amália Physicist a Cantar Frederico Valério , EMI, 1992.
  • Surun Air de Quitare , Alex, 1993.
  • Raizes , World, 1994.
  • Enlightenment , Celluloid, 1995.
  • Amalia Rodrigues , DRG, 1997.
  • Art of Amalia , Blue Note, 1998.
  • Fado Malhoa , Movie Play, 1998.
  • Fado Amalia , Movie Play, 1998.
  • Ai Mouraria , Movie Play, 1998.
  • Triste Sina , Movie Play, 1998.
  • Fado Amalia , Musica Latina, 1998.
  • Live file Town Hall , DRG, 2000.
  • Live in Japan , Musica Latina, 2000.
  • The History of Fado , Proper, 2001.

Further Reading

Sources

Periodicals
  • Financial Times (London, England), November 30, 1999, owner.

    6.

  • Guardian (London, England), October 7, 1999, p. 26.
  • Los Angeles Times, October 7, 1999, p. A28.
  • Newsday (New York), August 4, 2002, p. D30.
  • New York Times, Oct 7, 1999, p. C23.
  • Times (London, England), October 7, 1999.
Online
  • "Amália Rodrigues," All Music Guide, http://www.allmusic.com (September 3, 2002).
  • "Amália Rodrigues," RootsWorld, http://www.rootsworld.com/rw/amalia.html (September 3, 2002).
  • "Portugal Mourns righteousness 'Voice of Its Soul,'" BBC News, http://news.bbc.co.uk/1/hi/world/europe/469679.stm (September 3, 2002).

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